There are a couple of people in my life who recommended both the books and the HBO series to me. I was reluctant to begin reading and watching. For once, reading even one of these books means commitment – and commitment to a genre I have little experience with – because I would most likely not only read one of the books but each and every last one. For another, the medieval look of it always conjures up familiar tropes of rape and sexism that I am not very willing to face. A couple of weeks ago, I watched the first episode of the series and it was mainly how I imagined it would be: brutal and sexist. I gave up on the television series after this episode but I could obviously not do the same with the book series.
Do we really know the kinds of obsessions that form under the surface, and the mechanisms that lead to these obsessions? For me, the mechanism seemed to be looking at the books in my local bookstore and feeling mocked. Here is a good story, the books seem to say, a story people talk about, one that wil work its way into the popular culture much like Harry Potter did and if you don’t read it, you will feel left out. I also wanted to see Martin’s approach on his female characters. In the end, I bought the first book – meanwhile I have bought the second book as well – and have read it by now.
The story develops in multiple places, from the points of views of several people. We are introduced to a world that seems slightly familiar in its medieval trope – which may or may not be more familiar to Europeans than Americans (I would like to hear your take on that theory). The seven kingdoms are reigned by one Robert Baratheon who just lost his second-in-command and chief advisor to a sudden illness. Sudden illnesses have the tendency to be not of natural cause and the widow at least suspects foul play. The king, on the other hand, does not. He goes in search of a new Hand – that’s the title – and comes to his old friend Eddard “Ned” Stark, a lord in the far north and an old friend. Ned becomes Hand to the king reluctantly but mostly to solve the murder of the former Hand, Jon Arryn, who was not only an old friend but also husband to Ned’s sister-in-law Lysa.
That’s the premise. There is a lot of historical background being told while the story unfolds. There is a wannabe-king in some far land who sells his sister to a horselord to get his men to go to war for him. Said sister, Daenerys, turns out to be the stronger character among the siblings, the one who could be able to go back to the seven kingdoms to cause havock. But there are others who are willing to help things along in the kingdoms and war ensues when Ned finds out that the heir to the king is not heir to the king but actually son to the queen and her twin brother. When Robert dies, due to a hunting accident, that might not have been entirely accidental, Ned wants Robert’s brother Stannis to take the throne but the queen has other plans and imprisons Ned as traitor. Several lords mobilize their armies and in the end, there are four kings: Joffrey, heir to king Robert though not his trueborn son, Stannis, eldest brother to Robert, Renly, younger brother to Robert who somehow feels himself intitled to the crown, and Robb Stark, fifteen years old and heir to Eddard Stark who at this time of the novel has become an ornament on the walls of Joffrey’s castle.
A Game of Thrones is a well-written story. Yes, there are the common tropes of woman stands beneath man, woman may be raped at any given moment since it is costumary especially within a medieval war theme, and men underestimating women at every turn. Yet there are also strong female characters who put these tropes to shame. Cersei is evil and cunning, Catelyn willful and strong, Arya a free spirit and a tomboy, and Daenarys is simply glorious in her stubborn believe that she is entitled – to pretty much everything she desires. Martin is eager to give his female characters almost as much space to develop as his male characters, yet the men still have more room to act – as they are the main players at war.
Another thing I thought captivating, was Martin’s willingness for confrontation. He likes his coincedental meetings and doesn’t shy away from pulling through a difficult plot. Take Catelyn’s confrontation with Tyrion Lannister at the infamous inn on the crossroads: it could have been easy for Martin to dodge this highly explosive moment by just having Tyriion not see Catelyn. Instead he chose to have this confrontation which results in Tyrion’s imprisonment. He does this on several occasions to quite surprising outcomes. As a writer, I find these moments in the novel daring yet conclusive.
I am still not sure if I am really a fan of the series, though. I will continue to read it, I find the investment into characters of such a long story quite rewarding although I might at first shy away from it. But with all that is really good and exciting, there is still the one trope of partriarchal story-telling that I cannot simply comply with: rape. There is a comstumary repitition in literature – and culture – that produces compliance within society, we seem to accept it as part of a story. I must say, though, that Martin does comment on this critically when he has Daenarys stop the men of her husbands army from raping several women. On her part, it is too little too late but the fact that here is a heroine who at least tries to stop something that has become a normal, expected part of warfare for the men, is an unexpected and positive commentary.
With so many characters and the different points of view it is easy to relate to them – or at least some – and quite natural to formulate favorite characters. As per usual, I am more partial to female characters but I really like Tyrion Lannister, the imp. He is intelligent and a cynic. Besides him, I like Arya Stark and Cersei Lannister best. Yes, these are quite different but I have alwaysbeen partial to evil queens and it helps that Lena Headey plays her on the series. Ambition can turn so ugly so fast.
On the whole, I think A Game of Thrones a rewarding tale and I am looking forward to the sequel.